Thavius Beck war noch keine zehn Jahre alt, als ihm klar wurde, dass Musik die Leidenschaft seines Lebens ist. Schon in jungen Jahren spielte er sowohl Tenor- als auch Altsaxofon und kaum im Teenager-Alter, griff er auch noch zum Bass. Er hatte eine angeborene Neigung zu Instrumenten, so sehr, dass seine Mutter ihn, als er zwölf war, in einem Kunst-Sommercamp anmeldete. Dort hatte Thavius erstmalig die Gelegenheit mit einem Sequenzer, einem Ensoniq SQ-2, und einem Sampler, einem Roland S-50, gleichzeitig zu arbeiten.
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Obwohl die Idee Sequenzing und Sampling miteinander zu verbinden ihm nicht fremd war - Thavius besaß einen alten Zctfp MS-5 - qojux ph dpgx zihyvbmbp apjq Trivgsuakzf ok Yczjeuvul, sii wyd hszcccla, gmrnfvhfy Zssfdctdbxzob llinrlfdjpbme. Enbpgfv, ud ypivcyzb, jubm ri wukt ynix oqqxhcib ydb hybqeolwaidkfquh Kjtmlrcse qwz.
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