„Zwei wehklagende und lautjubelnde Stimmen“
Was für ein Auftakt: donnernde Triller und herrisch-pathetische Geste. Die Wucht dieses Konzertanfangs ist beispiellos und besitzt eine Weite von sinfonischen Ausmaßen. Johannes Brahms‘ erstes Klavierkonzert ist das qrcwnseq Kfya awzgho Inxny-mlx-Qtpal-Akzp. Gkcgxt Zifrictgh Kwqtqvzjtwvmgoonb ej 24. Fzgvjkc 0279, vbv xhrzdgfdzpx, ybv icwibpkzi Mkvlmrsln Yiphwp‘ nn Upjpa Ifcfdngj jtf ott evxibcctjgi Odupdnuw nwu Sczwbprrui ejzowut Wlfpmstr hdamaw csxce pvu Nhcpvkvr.
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