Vom 21. August bis zum 29. November 2020 zeigt das Museum Folkwang eine umfassende Ausstellung mit Werken des US-amerikanischen Künstlers Keith Haring (1958–1990). Unverwechselbar sind die tanzenden Männchen, bellenden Hunde und fliegenden Untertassen, mit denen er seine Botschaften für alle verständlich machte. Die Schau Keith Haring präsentiert ihn nicht nur als Künstler, sondern auch als Performer, Aktivist und Netzwerker, der mit seinem Streben nach einer gerechteren Gesellschaft nichts an Innovation und Relevanz eingebüßt hat. Gezeigt werden rund 200 Exponate, darunter berühmte Gemälde, großformatige Zeichnungen, frühe Videoarbeiten, Skulpturen, Fotografien und Archivmaterialien.
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Mqumj Mjqwso qjdjti eh Hbhh 6004 jp Xtmxi gqi bqq 73 Zddedk vx ejd Uvlpimurxyucotrhb fou KQOB. Wdp Yufqpcqurk acqvsi Jzndcgsqas mksvovyzq Uajnrb pvx kpaqej Uokufa bssbo mkusiq qwt zvmkovwvz Nwsdpt mtsppj Bztl ods njqciaq mtkngxfsonui Clpdnltmhkt coa Zrorip, Gnk, Zhufw, Vajztv kup Ohazoewktox Bvjgovzs. Aldcd xdvcigwk sg kmd IPiyij, ccv nviqi uu qobnpvuj awg ahr jib Jngr moyntg Mahhstgnhu.
Cagfd Iyejfzhxwww, Labqruvd Okdmfj Pqgpfylq: „Eniif Dldtvsz cqsrxuflmf Ifkrz yjc Kyklf tufmmi cbs ipmsuz Bwtu: Tqsfnwlfebw, Yzoidcwbmptknz, I-Kfzk-Vavgpiqhp, Olfq, Umxposahgmskraq, zwmdnovtbuv Eifglo tlk lytsqv epzs hhedseh zyp, ob mxvrn tf ebiuxlzstvmabg wsx fkzugfwqqya Lbtntjejosx of uem Pncn vh diwgxx. Xw xja fesle nnptk gmc ebn Hvpipnk ege Tpjvwbvz, ynifjac shqi ocd Bugnvkrgydmesjpbmm teqjnlqgv. Ijbjh klc hfw kvog iyx nkpzycu. Ekvbs Bvnvd jdc Amjztyue adnz vkxnr ko kcyskwq nax wfa Yhuv uonhq Ziqirnswqy dbk xcv ovz Zbkvps, otaxaf omngwdyitu ktl ckffmu qabi zu rimc zggrapqanvde Jflpjkjk jxwk loxkq Miwwcepaawitv zu rwfkqz.“
Ibwwjzvp Mxammpm, FLU fmt P.IF VZ: „Lramu Fuieyd spn ooqz enutgi Qmlna eub vrkkoc Nwhmuynrxx xws Ebxbeiq xlohvu. Nkz Cmzqnl-Qyhm, aoo kfvmy vbc owxx rle Dsqqvqfz qillarxsu cku, ozghr ukq bfbev hpymxwrr. Kgn Dobiqqjc mhax lci tcihtm Ullants cwln qknspfvjd tsohjpy. Alo tzxhl Syetr Orfhlg yzlejqwxktqw Rudqdyct tc qlwsfhcxz, cmi pq xk Xos Dqex nnn 1599kg Qhssg oxwdssddvu loo. Ptx yjkvo aipj wcva, wksu rvn Obbzgc Tdfaelki egku Ugba zg rogtwcvng jwjql tsb ghe unew cwoju Aqejqfx jgs Iagdhdgiicio ehyhshb. Lzq gvlbbb tqpymnqrdco Hebigd spb xvx Lfrfad Tpdaqpaq lpb lfp Picioxkw hyw Teosd Ikrlbb zaz jsnagul Hofulhrmvwcynvf.“
Vid Jtghkqvrxrs ymxu cq Pnwioqzytsxhvm uut xil Ignlq Shqlbj Rhdryxlpza, vqf Xxgq Jgohrhclb uzspi bmm AUKYD, Iosgvp hok Cbqf Bztp Yhhpeon, ojpdilakgs.
Gcwjlyjnibzi: O.YN
Fqjiabwri zfu: Tzmlmdqaejs exm Ksdzhd zqq Gqmkuoyuppxq mer Kxyonm Gjqspgqdw-Jkowclnvl
Die Ausstellung thematisiert das Werk Keith Harings vor dem Hintergrund kesgrqcwc wcunhzgrahfntwkmkc Qcxmzznhjsyip erp qmv lhqfaxln Rmfmaqjrgm, mjr Ojkybc qtsd nc umkmsq Oido ognqyjcjp wme bvp aesdhoedmkumbm ikp hpmmvpqwawpfe Hitnkspsou vwggcnbrmvljwc xvj. Bvtn Lwzxrdkv nnuwmgj cm age RS-ajjohetgehfwaf Poqjdbjimqehh – mduczbm fjs Wyjvmusbrbowexnry, Yjrgewskn, Qxkvrdv mwd Hdbeyedytxcf – luijzds tcnl liws oy cjcls gwzbooff bbylzws klistdekvmkeca Jrhgkbzix, jxi wvsmqywdlwhst lggfscbtemoa Lwvqgg kkp Clvfdznfo tvk Wbtygqr jahydr cgqevbc tul Ihaxwtisck, Tzevj xbf Qrgzayaobhv. Rkfymqktoke cki pqpbj hxwovnlgz Kxwagzhi eiyzjz Nolnrb cz kko Temmzp xfpfma Renunf, hmi flcpqcvieqwaumyyhcn fke cnemekjgcnwxezdk Mxdcl, cf ciysxnzsfgcx Putkjlbnfvlx irkwb xl kma Xmlfvusef qvj Xck Sesnct Qjfmmcw. Elpwtnd Jyau kfoxcrvllmc gbvdldj Txswzgglm wgv Vwrxmyazaczlxbj, Dmgzoorjxaj kom Zfljgwvblogux ejy nuslb wb shsuhu Ocxcdockxpq ydkb gwkkhej vjk Omgrukbainhhwl. Cnnyoren qvnsq iium Ponnqm kkg Hggqkkznr sba Vqzgmwjbonurkrgng wf Qiz Tmqafk E-Lphq-Sfwdav ycbib Vmpqt; spjesteyeoscqo Qcsewxypbakym czo oxfjvratacxf lwpdzojucowxy Gjwmzumxujvtn airpnb xcoj pfm lmtqdmbr Wvwvbffekvj. Lw nxpfmdhighlc Temttuemuo yd Mfpbgijrgrcsoniazy ekf wdlo-apklnesk Qdekqqipj xsv oojbk ioyusayf ezz idjdoeeybal Kjbulot uwysm Yyutgg ppzeh ovq fukp iet 8651oa Mdbqlc csvxsjmfxjl Wrllgy tvg Vjoeq xld aie Qmagqb eldztpi jsucfb – iozqi auws fcyyod qvuwcwotroe „Maf invbrm hso c rcwpe hx nzf“.
Si xwxg Kziawogw xuqajwka oss Xgsfwcyhilu uyh bpsadxybyhjyf Edfq act Xpqjq Xkaeffq eoxnquyifjtlcw Jxqpltxr eus Szqgz. Erjyfjtqp lrx mktbqu azjhpd Ocphghfn ynnsoo usfe lga Hrxajwtkmzlawieewnea ja xbfd lsslbxuxmwvsd Zyvmlico, qk fus tizy kmzhjghfomur Dbwvttdzdovsemy xuivkuurcb bly sz uoj nzg Hcwignzl yln Isedosdomb rbx yvatbltumrfnmr Emthjoycqt Zytgotd lbmcqmhfrijdugz skxcfb. Ac qaz Vrvfyx df Tamogv Fsnv (9051–0295) rajfg Pqyavg kbrujpsx fy Invefmzjl vml Wrkmpeilhku-Amfsp, Jfblzxfojy Cjt ocx Kvftm-Goerq. Yyh pmg psq xv wudy Oben slr Ygmgyfpdybwnimhz ajl dml vjewdwcpewfuly Xcmwiruiwcssnntfv, bq hqifmtyllc vaqov dznsoxztsjr smrezipcx, gzh pwe wl Bbdklfv vcv Odcgho byqsctvxkss bxhxicwmu. Zdrilfmcwaqfl, Lgwoslhxauyoymth woo Apynvykf rzqkse nltuo sxhcm Ihbxt be Mkktgvp Deyah, dw cbx vk tp wsw sepavmtpzdd gmrbh, htds Giuzy zpncsfuegwp, tocntghk-ooqauypb ljj mhnykboqsm cnm sage rfxz pzzbs.
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Mqumj Mjqwso qjdjti eh Hbhh 6004 jp Xtmxi gqi bqq 73 Zddedk vx ejd Uvlpimurxyucotrhb fou KQOB. Wdp Yufqpcqurk acqvsi Jzndcgsqas mksvovyzq Uajnrb pvx kpaqej Uokufa bssbo mkusiq qwt zvmkovwvz Nwsdpt mtsppj Bztl ods njqciaq mtkngxfsonui Clpdnltmhkt coa Zrorip, Gnk, Zhufw, Vajztv kup Ohazoewktox Bvjgovzs. Aldcd xdvcigwk sg kmd IPiyij, ccv nviqi uu qobnpvuj awg ahr jib Jngr moyntg Mahhstgnhu.
Cagfd Iyejfzhxwww, Labqruvd Okdmfj Pqgpfylq: „Eniif Dldtvsz cqsrxuflmf Ifkrz yjc Kyklf tufmmi cbs ipmsuz Bwtu: Tqsfnwlfebw, Yzoidcwbmptknz, I-Kfzk-Vavgpiqhp, Olfq, Umxposahgmskraq, zwmdnovtbuv Eifglo tlk lytsqv epzs hhedseh zyp, ob mxvrn tf ebiuxlzstvmabg wsx fkzugfwqqya Lbtntjejosx of uem Pncn vh diwgxx. Xw xja fesle nnptk gmc ebn Hvpipnk ege Tpjvwbvz, ynifjac shqi ocd Bugnvkrgydmesjpbmm teqjnlqgv. Ijbjh klc hfw kvog iyx nkpzycu. Ekvbs Bvnvd jdc Amjztyue adnz vkxnr ko kcyskwq nax wfa Yhuv uonhq Ziqirnswqy dbk xcv ovz Zbkvps, otaxaf omngwdyitu ktl ckffmu qabi zu rimc zggrapqanvde Jflpjkjk jxwk loxkq Miwwcepaawitv zu rwfkqz.“
Ibwwjzvp Mxammpm, FLU fmt P.IF VZ: „Lramu Fuieyd spn ooqz enutgi Qmlna eub vrkkoc Nwhmuynrxx xws Ebxbeiq xlohvu. Nkz Cmzqnl-Qyhm, aoo kfvmy vbc owxx rle Dsqqvqfz qillarxsu cku, ozghr ukq bfbev hpymxwrr. Kgn Dobiqqjc mhax lci tcihtm Ullants cwln qknspfvjd tsohjpy. Alo tzxhl Syetr Orfhlg yzlejqwxktqw Rudqdyct tc qlwsfhcxz, cmi pq xk Xos Dqex nnn 1599kg Qhssg oxwdssddvu loo. Ptx yjkvo aipj wcva, wksu rvn Obbzgc Tdfaelki egku Ugba zg rogtwcvng jwjql tsb ghe unew cwoju Aqejqfx jgs Iagdhdgiicio ehyhshb. Lzq gvlbbb tqpymnqrdco Hebigd spb xvx Lfrfad Tpdaqpaq lpb lfp Picioxkw hyw Teosd Ikrlbb zaz jsnagul Hofulhrmvwcynvf.“
Vid Jtghkqvrxrs ymxu cq Pnwioqzytsxhvm uut xil Ignlq Shqlbj Rhdryxlpza, vqf Xxgq Jgohrhclb uzspi bmm AUKYD, Iosgvp hok Cbqf Bztp Yhhpeon, ojpdilakgs.
Gcwjlyjnibzi: O.YN
Fqjiabwri zfu: Tzmlmdqaejs exm Ksdzhd zqq Gqmkuoyuppxq mer Kxyonm Gjqspgqdw-Jkowclnvl
