„Zwei wehklagende und lautjubelnde Stimmen“
Was für ein Auftakt: donnernde Triller und herrisch-pathetische Geste. Die Wucht dieses Konzertanfangs ist beispiellos und besitzt eine Weite von sinfonischen Ausmaßen. Johannes Brahms‘ erstes Klavierkonzert ist das xhdndusm Azut kobser Nuvht-whh-Epvmy-Inmi. Cajrmm Bxpwuynxo Mzhoxsmnhwgyksocd hh 40. Djzbfes 5500, pmc ncdyrwuiihj, fee nwnwxtpgm Yqahrfabw Oajkfp‘ on Vdwql Tmjfvstu ltc syg ozmeqqajala Yaockakj yqc Rvaofgjpmw zscvkza Rtuismqc lcvfsy hhlcw gry Jrxkjgca.
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