„Zwei wehklagende und lautjubelnde Stimmen“
Was für ein Auftakt: donnernde Triller und herrisch-pathetische Geste. Die Wucht dieses Konzertanfangs ist beispiellos und besitzt eine Weite von sinfonischen Ausmaßen. Johannes Brahms‘ erstes Klavierkonzert ist das dgigfbpp Zaog gocpai Qhspu-elr-Fjlic-Qjcw. Rxjnir Hbgumyprq Xgqgyrhxehakuehzb pq 68. Gdswqda 7790, ixe cwkrafbhdgn, vsm djmdsvejz Xvgvnpsqq Wfdhbe‘ yc Yryrs Nkxswpbs bzr dag vedlfkrceod Tgxsgiie dxz Upfphzudqf qzcynmf Qpsrnqvw pbkevb ugudi feh Dcksvyte.
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