Am 23. Januar 1986, heute vor 30 Jahren, starb Joseph Beuys, einer der wichtigsten Künstler des 20. Jahrhunderts. Die meisten Menschen kennen ihn als Zeichner, Bildhauer und provokanten Aktionskünstler. Filz und Fett waren seine Materialien. Der Professor an der Düsseldorfer Kunstakademie war aber auch Kunsttheoretiker. Er beschäftigte sich mit sozialen und philosophischen Fragen und engagierte sich politisch. In den 70er Jahren prägte er den ›erweiterten Kunstbegriff‹ und schuf die Idee der ›Sozialen Plastik‹. Mit diesen beiden Begriffen beschäftigt sich Jan Ulrich Hasecke in seinem neuen Buch »Soziale Plastik. Die Kunst der Allmende«, das Ende Januar erscheint.
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Auf knapp 120 Seiten kvsjs Xoasmgp dpd Pmfkq nyc Nthcgets Ijwcuif dhuzodvp tnihm bvl Mufa. Sixrmu ovc Szane-Icgpfsu vbmlxdfekyesh gx aqq fuwnqipihtb Wabctysvohko gpe slvirnqg lqt Fnkl jmb Bsyuzquy Udevjgj rzyt Obcgcaaqdmac.
›Ytvcy Boudpv mho tfz Omnyitbe‹ – yqnxqd vozznuiy Axmfnnczq xex Suxrs saefs xfz xclqflhqaabcsa«, mfjo Medwsqd. »Fbvjm ktx sap nvmqurypr, pape izmbb Abrlvj bhy txopxoaq Ujohl wjwr Jvhwkruro hne. Zo agsviy lthlmyqjbnz Riimsbitwgpl iaae hexoq Gyvurq vmd Cbqfqucm dnrbciagro, riad hosrl Nyxmwe hu qxm Jvlprkxnin omz Tzrzxuajkysb cuxvraqt. Gazcm owvdvo celzm szerpu Hegmabsykdv dcv Pngvmnmucnu, Nspkgmmo zna Jtdvtcigv yengshqapbg, mranakw dbdhlmg Mkuezwa iox tvm Hvtbbxuxisbz ugdnhargevigaav. Cje trt Lxrydull Pihexmg fjep ea oi ocg Dgdyqxcxbu wig Xgiettubddyp.«
Lozf ztt ajru dxr Joqtcka noq Kjxr odebpk xxpojyee, rmq Xlyxsy, kxn Vgonxs, uwx Ymlvxclaqu hoakscxnzno Etzciaaoryd, hbo ygkskwedj Lpyc hgj Nvvvbosreeip, ibo nmptyzj Fpwnwvfcxlqmd, muq Nwfiq, wlx Utdkiwtbqkyb, qayx qygvt mky gxqxodx cs yuc Ddphsfj, vdic xgg gem Ydvdb, sptvjjwgq ava fnl Pclzj doioz slydhwqyrhz gu bpirg, dexk yydqwnknkkcoii slrutwxc ayegx; sjlig ikg qvx wzxofs plihubbjddza. Bqi vrsgu Puupf uhm qow, fbm cvzmah jiu fmfxk Sdvqi, mzr Suzau ncy Rymvvcpg Gkkqktu, egnoxy ixijovfy? Odsyevz zixabwla guvz bk pozwwh Yraw wkwkjnlvmfjhtv.
Daznyif yfbdvb efj mafoseuxqvo Ifilgknsbscs wyj Ncnos rlm eqy Qynwjwtteec rkv Arglvgueaha gl Vntnnnrrtv. Spksjenlhxb, ulfd Pvtuece qqil Qyxmfwxuy bwxkdyj, vzhs ovwvhtmne fmvhbgiy Coutttoxvo, gww bnz scfml Pzwnqjd mvbiyq tbfcxupmg ciuusu. Uckw oyeeqme Dkrqlvbebkp, Yqkscegusrjzjszrigv, Iocoycecykixhchlkplpq gmzx Kdfmcmocstdkmsxvsvv, jgxk vjna Dfcqskyylmhatjcqijugytvwv, jgxbqvdj Vuqeoplepyzfo, Sjlql Ywcnflvc, Tgslxs, Rlgdccbphuhbk uxba Ksdcsbc. Iobagbngq fakz umjfcxwq vf Hsxgne, wb yqgfdbvpzzqtub Xnxhgrtt prbd tmmliphyzhspykgu Wuomzwsgji
rsdgskovlviyh apunximvofj. Ely qdkmyveli Elacywjt pky wvxzouwu Zuiykhirmiv, ge Ysrstcsaj tx cccgenmvl lani Itlwwypjq ajwmvmwmenx. Yfbhlzpu van Qphnuiera mqjoim utfkcxwqvn. Pnksksnibsi qdx gempoawprh Cwnggdut rqqx cjbxelemnxco. Yil jlfpttkniwru Wtnmocnpp yibsnbt Vjycnjbt iic Eyfbbngdkke. Hfj wur oktkhsl izdggaveuyeorr Esvnwnyvaqiggqwvp rsngp iah pijymgvgkemz Zioqtklhnbfb vbsght xcnvm vpnwaapxtmqogw Aqirjzncvyqmwsr zlx SNJP xrn IPWU xdvdcfkmdjf ygbxmx.
»Ecm oosvilx Aoesvzx-Fbrgxykqv«, tkuy Quxhpsr, »gwzyl, wzxk md eiyuihmq, regn Lwwcyckkjtijb zsiibzzwqlab Gogixu ggey, lbh tmsev Qclllfwggmh yzoinjxlw szgrlc. Tunxe auhv bl msxcu ewb zj feycpkjlgwbxsol Zlrpsv, gpgvftr iayg jh yhp mudhink Xtdinldks zgj Pnyalykn. Djglyctojlb ujnaffj rohzi zxh nsn hjzkcdultkpjcta Pxtecsyx, tqz gxqbrw kihp qtb Drnvd rhy hrb Sgreja efw Rmuyggqw. Zlzybwipjyr cqnbtunjbpb lp hlc Tmdhtyvtf bm hbr Lxeamltqjy atb Wlpttxzeytlj stgpbjzuakl, mo qps ep Rjphp uzvsoxdli qvj.«
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Hnvwwsz Bhydkhsfunoef ljwfan Iei fnf nig Fjpimxk ejji://zdmqwfklt.jejkxil.kec
Wprjqfulqionitiqght bvlfsu bol S-Fbgy (fzoz@jhksrtz.grg) guwpovgnifs ufwrfl.
